赤道の真夜中
By Naturespace · 3 reviews ·
千マイルの海を渡ってきた風が、島の森の葉をかすめながら軽やかに吹き抜けていく。暖かく穏やかなその風は、波の音をふわりと空へ持ち上げ、くるくると遊ぶように運びながら、月明かりの海にひそやかにほどけていく。見上げれば、ヤシの梢のあいだから星がまたたき、コオロギたちがかすかなコーラスで夜の調べを織り上げる。 この隔てられた場所に満ちる静けさとぬくもりは、ふと自分の内側へと意識を向けさせ、都市の忙しさからそっと距離を置かせてくれる。夜の気配が色濃く、昼間であっても真夜中の創造的な気分をやさしく引き出す。目立つ音や気を散らす要素のない、純粋なアンビエンス。仕事や読書、学習のお供にも心地よい。スピーカーでは均一で安定した響きが周囲の音をやわらかく包み込み、眠りをやさしく支える。繊細なニュアンスと深い没入感は、ヘッドフォンでいっそう際立つ。
What listeners say
Equatorial Midnight consists of the exact same elements as the older track Moonlight - wind, rustling palm fronds, waves and crickets. Both tracks also are ambient noise only with no foreground. But, the focus here is night noise where Moonlight is more about white noise. Here, it sounds more like the recording was set in the forest than the beach itself, with the crickets much more prominent than in Moonlight (though not at all overpowering). In general, the sense of a total environment is stronger in this track due to the fact that each of the sonic elements is much more distinct than in Moonlight. In Moonlight they tend to blend together unless you deliberately try to focused on one. There is also a strong sense of depth and space here, with ascending layers of waves (sounding from somewhere blow and distant), crickets surrounding you, palms rustling above, and the wind alone above that. This track also seems to be good for masking noise, and makes it one of the few such tracks that does feature complex detail rather than focusing mainly on one sonic element, such as wind or water.
Amazing track. I can literally hear the night. I love this as I'm sitting at work near the end of the day. Like a mini vacation! I love my Naturespace. ❤️
I love how the subtle details emerge over time. So dreamy and relaxing. Just what I needed!